September 6, 2023
The Gear That Gave Jax’s Ducats the Grungy Sound They Needed to Record Their Latest Single, “Painless”
September 1, 2023
Unearthed Danger Mouse and Jemini Collab is Firmly Grounded in Soul-Hop Grooves
August 25, 2023
We Now Have Three Sonically-Distinctive Singles from Mitski’s New Record, ‘The Land Is Inhospitable and So Are We’
August 24, 2023
L’Rain Previews New Album ‘I Killed Your Dog’ With the Playful “Pet Rock”
August 23, 2023
On New Single, Squirrel Flower Is Aglow in the “Alley Light”
August 22, 2023
Live Session | Jacksonville Indie-Folk Band Bobby Kid Plays Songs from their Beloved New Record, ‘Babyface’
August 18, 2023
Teal Peel Singer and Guitarist Taylor Neal Battled Perfectionism While Writing and Producing His Song “Sandy”
August 17, 2023
Watch JME Live Sessions and Support the Jacksonville Music Experience
August 15, 2023
Under-the-Radar NYC Artist Farrah Hanna’s “TMILTM” is ROYL beabadoobee, Lomelda, Slow Pulp, etc
August 15, 2023
Sufjan Stevens Is So Back with ‘Javelin,’ Lead Single “So You Are Tired”
August 15, 2023
Live Session | Watch pioneering Zamrock band WITCH perform “Waile” on the JME Soundstage
August 8, 2023
Georgia’s Pop Blossoms on Her Third Album, ‘Euphoric’
August 7, 2023
SPELLLING Reworks “Hard to Please (Reprise)” in Grand, Gorgeous Fashion
August 1, 2023
Wilco Drop “Evicted,” the First Single from a New Album Produced by Cate Le Bon
August 1, 2023
Playlist | Best new music of August
New tracks from Big Thief, Wilco, Mitski, Animal Collective and more
July 26, 2023
Dub Master Pachyman Brings His Vocals to the Front of the Mix on “Trago Coqueto”
July 25, 2023
Trumpet was Too Loud, Clarinet was Too soft — Here’s ‘The Story of the Saxophone’
July 21, 2023
Kate Teague Harbors a Broken Heart on New Single “I Feel Bad for My Dog”
July 20, 2023
Atmosphere Choose “Still Life” in New Video, Detail Tour De Friends
July 13, 2023
The Latest from Guitarist Dominic Miller Maintains the Quality Control of Mercurial Label ECM Records
July 11, 2023
Bobby Kid Singer and Guitarist Anna Lester Shares the Highs and Lows of Writing her Song “Seeds”
July 10, 2023
Playlist | Best New Music of July
July 10, 2023
Rahill’s ‘Flowers at Your Feet’ is a Sunny, Experimental-Pop Trip
July 7, 2023
Duane Betts Finds Serenity and Soul in His ‘Wild & Precious Life’
June 29, 2023
Reissue of 1968 Debut from German Guitarist Volker Kriegel is a Worthy Mix of Early Jazz Fusion and Relic-Kitsch
June 26, 2023
North Florida Bands: Sing Out Loud is Accepting Applications for 2023 Festival
June 26, 2023
Here’s How the Recently Reunited Jacksonville Indie-Rock band The Julius Airwave Makes Their Crunchy, Confident Sound
June 16, 2023
Rachel Angel, Daddy, Folk Is People to Headline this Year’s Queer Country Disco in Jacksonville
June 13, 2023
Sound & Vision | Visual Artist Edison William Leads Us from the Unreal to the Real and Back Again
June 6, 2023
Live Release from Brötzmann, Bekkas and Drake Trio Blasts World Music Into Free Jazz Multiverse
June 6, 2023
On New Live Release, Electropop duo Sylvan Esso Expand, and Redefine, the Parameters of ‘No Rules Sandy’
June 1, 2023
Reissue of “My Black Race” Gives New Life, and Power, to UK Reggae Artist Rupie Dan
June 1, 2023
Diners Find “The Power” in a New Sound on Lead Single from New Album, ‘Domino’
May 31, 2023
#NowPlaying | Bill Orcutt, ‘The Anxiety of Symmetry II’
May 31, 2023
On the Madcap “Leaving the Light,” Genre-Defying Artist Genesis Owusu Powers His Own Creative Forcefield
May 22, 2023